Luther Vandross started his career supporting David Bowie, Roberta Flack, Bette Midler, and more. His undeniable talent earned platinum records and accolades, but he struggled to break out beyond the R&B charts. Intensely driven, he overcame personal and professional challenges to secure his place amongst the greatest vocalists in history.

When a heartbroken New Yorker moves to London hoping for a love story, she falls for an indie musician who's anything but the typical romantic hero.

在夏威夷考艾岛，初中生哈珀·哈德森正在竞选学生会主席。她试图赢得花园岛中学学生的心，但随之而来的是一连串的闹剧，一群形形色色的人必须决定是支持哈珀还是阻挠她。哈珀·哈德森会成为主席吗？还是生活会让她不堪重负？—波特兰

Four old friends reunite to investigate the death of a good friend.

Four old friends reunite to investigate the death of a good friend.

Yoo Ji-Na has been a popular singer for the past 20 years, but she holds pain inside because of something she abandoned when she was younger. Meanwhile, Jung Hae-Dang began working as a Yoo Ji-Na impersonator to support her family after her father lost his job. She sings on stage at a club and tries hard to mimic Yoo Ji-Na's songs.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.